{"id":2312,"date":"2026-02-09T08:21:56","date_gmt":"2026-02-09T07:21:56","guid":{"rendered":"https:\/\/www.sortir06.fr\/actualites\/?p=2312"},"modified":"2026-09-27T12:50:48","modified_gmt":"2026-09-27T10:50:48","slug":"mariannes-une-installation-monumentale-de-sylvie-castioni-investit-la-place-massena-a-nice","status":"publish","type":"post","link":"https:\/\/www.sortir06.fr\/actualites\/arts-culture\/mariannes-une-installation-monumentale-de-sylvie-castioni-investit-la-place-massena-a-nice\/","title":{"rendered":"Marianne(s) : une installation monumentale de Sylvie Castioni investit la place Mass\u00e9na \u00e0 Nice"},"content":{"rendered":"\n

Au tribunal, une figure s\u2019impose <\/h2>\n\n\n\n

\u00c0 l\u2019origine de la s\u00e9rie Marianne(s) se trouve un moment de bascule. Sylvie Castioni joue un r\u00f4le d\u00e9terminant dans la r\u00e9v\u00e9lation des faits impliquant son ancien meilleur ami, agent de jeunes mannequins, apr\u00e8s la d\u00e9couverte d\u2019abus commis sur les femmes qu\u2019il repr\u00e9sentait. Pendant deux semaines, elle attend \u00e0 l\u2019entr\u00e9e de la salle d\u2019audience, contrainte de rester \u00e0 l\u2019ext\u00e9rieur avant de pouvoir t\u00e9moigner \u00e0 la barre. Une \u00e9preuve qui confronte l\u2019artiste \u00e0 la rigueur du temps judiciaire et \u00e0 la violence des r\u00e9cits. Dans les couloirs du palais de justice, entour\u00e9e des repr\u00e9sentations de Marianne qui jalonnent l\u2019architecture du lieu, cette figure r\u00e9publicaine devient un rep\u00e8re silencieux. Elle accompagne l\u2019attente, soutient l\u2019\u00e9coute, et incarne, dans cet espace suspendu, une promesse fragile, mais persistante de justice. Quelques jours apr\u00e8s la condamnation de l\u2019accus\u00e9 \u00e0 16 ans de r\u00e9clusion, la figure de Marianne s\u2019impose comme un point d\u2019ancrage, ravivant une foi vacillante mais essentielle en la justice, et ouvrant la voie \u00e0 un nouveau r\u00e9cit artistique. De cette exp\u00e9rience na\u00eet Marianne(s), une s\u00e9rie con\u00e7ue comme une ode \u00e0 la sororit\u00e9, \u00e0 la force du collectif, et \u00e0 la capacit\u00e9 des femmes \u00e0 transformer les syst\u00e8mes qui les entourent.<\/p>\n\n\n\n

92 portraits pour une Marianne plurielle<\/h2>\n\n\n\n

La s\u00e9rie s\u2019articule autour de 92 portraits, en r\u00e9f\u00e9rence directe \u00e0 l\u2019ann\u00e9e 1792, date de cr\u00e9ation de la figure de Marianne. Les premi\u00e8res \u0153uvres reprennent les attributs iconographiques fondateurs (bonnet phrygien, \u00e9charpe tricolore, seins nus) avant d\u2019\u00e9voluer. Le sein est progressivement dissimul\u00e9, \u00e0 la fois pour \u00e9viter la censure dans l\u2019espace public et sur les plateformes num\u00e9riques, mais surtout pour recentrer le regard sur le visage, la pr\u00e9sence et l\u2019engagement des femmes photographi\u00e9es. Les mod\u00e8les sont toutes des personnalit\u00e9s engag\u00e9es pour les droits des femmes. Chaque portrait devient ainsi une Marianne contemporaine, vivante, plurielle et collective. Dans un souci d\u2019ancrage territorial et de dialogue avec la ville qui accueille l\u2019installation, 9 femmes ni\u00e7oises, dont l\u2019action quotidienne \u0153uvre en faveur des femmes, ont pos\u00e9 pour la s\u00e9rie \u00e0 l\u2019occasion de cette pr\u00e9sentation. Leur participation inscrit Marianne(s) dans une r\u00e9alit\u00e9 locale, renfor\u00e7ant le lien entre l\u2019\u0153uvre, le territoire et les enjeux du quotidien.<\/p>\n\n\n\n

Ils s\u2019engagent pour ce projet<\/h2>\n\n\n\n

Pr\u00e9sent\u00e9e place Mass\u00e9na, l\u2019installation Marianne(s) prend vie gr\u00e2ce \u00e0 Exaprint, l\u2019atelier de tous les cr\u00e9atifs et partenaire du projet, dont l\u2019engagement permet cette rencontre exceptionnelle entre cr\u00e9ation contemporaine et espace public. Gr\u00e2ce \u00e0 un partenariat \u00e9tabli avec l\u2019entreprise fran\u00e7aise Xclusiv World, la premi\u00e8re plateforme immersive no-code, Marianne(s) d\u00e9fend \u00e0 Nice les valeurs de Libert\u00e9, d\u2019\u00c9galit\u00e9 et d\u2019Accessibilit\u00e9 pour toutes et tous, via la mise en place d\u2019un espace d\u2019exposition virtuel gratuit.<\/p>\n\n\n\n

\u00c0 propos de l\u2019artiste Sylvie Castioni<\/h2>\n\n\n\n

Sylvie Castioni est une photographe et r\u00e9alisatrice fran\u00e7aise dont le travail cr\u00e9e des passerelles entre mode, art et cin\u00e9ma pour questionner les st\u00e9r\u00e9otypes de genre. Elle d\u00e9bute dans la photographie de mode, avant de s\u2019en \u00e9loigner pour d\u00e9velopper une photographie plus intime, centr\u00e9e sur l\u2019\u00e9coute et la v\u00e9rit\u00e9 des mod\u00e8les. Entre 2016 et 2019, une s\u00e9rie d\u2019\u00e9v\u00e9nements renforce son engagement f\u00e9ministe et nourrit de nouveaux projets m\u00ealant photo, vid\u00e9o et performance, autour de la f\u00e9minit\u00e9 et de la diversit\u00e9. Soutenue par des institutions comme La Poste, France T\u00e9l\u00e9visions ou le Festival de Cannes, elle poursuit aujourd\u2019hui une \u0153uvre tourn\u00e9e vers l\u2019\u00e9mancipation et la r\u00e9appropriation de la f\u00e9minit\u00e9.<\/p>\n\n\n\n

Du 13 au 28 f\u00e9vrier 2026<\/p>\n\n\n\n

Place Mass\u00e9na<\/strong>
(derri\u00e8re la Fontaine du Soleil),
06000 Nice<\/p>\n","protected":false},"excerpt":{"rendered":"

Au tribunal, une figure s\u2019impose \u00c0 l\u2019origine de la s\u00e9rie Marianne(s) se trouve un moment de bascule. Sylvie Castioni joue […]<\/p>\n","protected":false},"author":1,"featured_media":2326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[171],"tags":[101],"class_list":["post-2312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-culture","tag-nice"],"acf":[],"yoast_head":"\nMarianne(s) : une installation monumentale de Sylvie Castioni investit la place Mass\u00e9na \u00e0 Nice<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sortir06.fr\/actualites\/arts-culture\/mariannes-une-installation-monumentale-de-sylvie-castioni-investit-la-place-massena-a-nice\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marianne(s) : une installation monumentale de Sylvie Castioni investit la place Mass\u00e9na \u00e0 Nice\" \/>\n<meta property=\"og:description\" content=\"Au tribunal, une figure s\u2019impose \u00c0 l\u2019origine de la s\u00e9rie Marianne(s) se trouve un moment de bascule. 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